Showing posts with label RONA. Show all posts
Showing posts with label RONA. Show all posts

Friday, May 21, 2021

RONA Fragment #4 v.2

time, day, what is that?

 

lie across

  the bed at angles

in states of undress

 

& listen

to noise

 

 

 on shuffle

 

 

 

Sun sketches the house next door

in glaring relief, so it’s day,

early-ish day:

a little later clouds will show up

to wash time

off the neighbor’s siding.

 

random.

meandering.

walks.

 

 

 

divide the infinitely divisible into chunks

 

 

indeterminate timelessness

 

pomegranate, tequila, and simple syrup

spell an endless parade of bourbon & sodas

in the kitchen washing a stray plate

 

a moment

sudden

 

crystallized

 

 

I become inexplicably emotional

& cry during a Bob Dylan song

I’ve heard passively for 40 years

 

the rage I have lived with since the age 16 feels now diffuse and unearned,

even if circumstances suggest the opposite

 

           

 

 

 

 

flit

 

 moment

 moment

 

incredible

& subjective

 

vision

           

 

 

            is this the world now?

            is it even different

            in any qualitative way?

 

 

Monday, September 21, 2020

Texting Frantz Fannon

the cafes are forgotten, the arguments about elections,
the spitefulness of some cop or other
ears that hear wind through the trees
eyes that see the broken shacks
time has been wasted on the colonial regime,
liberation only to be seen in terms of violence
in terms of neighborhood struggle
in terms of armed struggle
 
militants running from the police
learn the hard lessons of the people
peasants bowed too long
generous, and ready to sacrifice
driven by stony pride
rebels by instinct,
swelling into the villages
to test the strength of their own muscles
to push the leaders into action
 
the militants in turn tutor the people
in ways political and military
 
the second-in-commands,
the rank and file proletariat
foot soldiers for intellectuals & consolationists
no longer, no longer willing to absorb rebellion



*** please see the author's note in the comments ***

Tuesday, September 1, 2020

Ezra Pound Driven Batshit Crazy For Want of Sound Money: Variation I

“the temple is holy  because it is not for sale”

 

                              The crucified Jesus

                              of the prosperity bible

                              bleeds green through red

                              interruption of pale skin.

 

droplets water the ground like the blood of tyrants

water the tree of liberty

Sound Money

 

green viral nutrients seed & animate the capsid of the

 

               pathogen capital

 

(don’t worry, you won’t catch it – it’s under

 control – it reduplicates but accumulates

 rather than spreading)

 

“the temple is not for sale because all the flows have been shut down”

 

tl;dr: it’s a cash flow problem


Sunday, August 30, 2020

Playlist: The Beatles + (???!!!!)

  Gonna slam you with playlists over the next little while, 'cause I been busy! We're going to ease into it with . . . The Beatles?!

  Well, sure, just consider this my reckoning with The Beatles. I often have talked trash about the Fabish Four, not so much because I dislike them but because I was sick of hearing about them. They continue to be, to my mind, as over-rated as a band can be. Which is not quite the same thing as saying they are no good. This list is part of a continuing series of playlists I put together to examine bands that I am somehow undecided on: the first was a six-hour Bob Dylan playlist, and actually led to an appreciation of Dylan, some 40 years after people first tried to brainwash me into the cult of Bob. I listen to the playlist frequently, and while I remain unconvinced of his status as deity, I nonetheless count myself a fan, if somewhat on the casual side, relatively speaking.

  The second was Steely Dan. I will still confess an appreciation of the first album (Can't Buy a Thrill), as well as "Rikki Don't Lose That Number". Other Dan, on the other hand, makes me homicidal. I sifted through the internet to tap into others' opinions of the cuts that displayed the genius of the Dan, and put together a 3 hour playlist. Lived with that for a couple months, then shaved the songs that I really hated. Spent some time with that, then cut some more. At the end, I was pretty much left with the first album and "Rikki Don't Lose That Number". The rest left me with angst on a scale that ranged from mild annoyance  to rage. Ordered a 7" of "Rikki" off discogs and deleted the playlist. 

  Next was Z Z Top. Love Tres Hombres. Remember from high school that I was down with everything through Fandango! Definitely not a fan of Eliminator on. Mined the stacks for any riff that caught my ear and stuck it on a playlist. Lived with the playlist for a couple months, decided all you really need is Tres Hombres, then deleted the playlist.

  And now, The Beatles. Well, I know I like a lot of Beatles songs, and I like couple John Lennon songs. What really inspired this, though, is that this year I have fallen head over heals for George Harrison's All Things Must Pass. It has lately become quite the obsession for me. I decided to put together a playlist with Beatles and Beatles related material, so I could get it all in one place. I would never try to convince anyone that this is in any way definitive, a "best-of", or even coherent and logical. This is a Beatles playlist I thoroughly enjoy, that is all. It has been sequenced for your listening pleasure, but hey - John Cage sez that "random" button is never a bad idea.

  Two more notes: this playlist is subject to change, since the only Harrison solo album I took anything from is his first. Nothing else he did has caught me yet, but I will continue to sift through his albums to see if there's anything else. I imagine I'll find another song or two here and there. Same with Lennon, though I actually have spent time with his records over the years. Paul and Ringo, on the other hand, are as represented as they will ever be. Second: my favorite Beatles-related material is mostly by Yoko Ono, and she does have a couple songs on this playlist. However, even if I like both The Beatles and Yoko, they do not live together very well. Otherwise, this would be a lot heavier on Yoko.

  So there you have it. If you are in a Beatles mood, give this a spin: it just may provide a worthwhile slant for you. And now, on to my Thin Lizzy playlist. I promise the next playlist posted will be of quite a different sort.




Bill's Plague Year 2020 Beatles Power Rankings

1.  Yoko Ono Plastic Ono Band
2.  George Harrison All Things Must Pass
3.  The Beatles The Beatles (the white album)
4.  John Lennon Plastic Ono Band
5.  Yoko Ono Fly
6.  The Beatles Abbey Road

Friday, June 19, 2020

A New Kind of Television


A New Kind of Television

Lying in bed at Audubon watching Better Call Saul the night of the operation before the sedatives wore off.

In bed with my laptop two days later, under the spell of narcotics, watching Star Trek: Picard.

A new kind of television, my cell or my tablet, lying in bed or sitting out on the porch.

Apparently the stories run by the new kind of television are horror stories.

Breonna Taylor was gunned down by policemen’s bullets as they served a no-knock warrant. Breonna’s boyfriend, Kenneth Walker, awoke to find persons unidentified, heavily armed, breaking into his apartment. Walker picked up a rifle and fired – as is his right according to Kentucky’s “stand your ground” laws – and the police responded with a hail of gunfire. More than twenty rounds were fired into Taylor’s apartment as well as adjacent apartments. 8 of them struck Taylor, killing her. Walker was arrested for firing on the police officers, but later released, when the story hit the national news. The warrant that the police were serving turned out later to be problematic on several counts: the suspect named in the warrant, though known to Taylor, did not live at the location. The suspect was actually in police custody at the time of the warrant service. It also came out later that the warrant was obtained with information falsely attributed to the Postmaster General, who said he had no knowledge whatsoever of the “suspicious packages” alleged in the warrant. Breonna Taylor and Kenneth Walker are both Black.

A nameless Black man was beaten by a cop in L. A. while he had both hands handcuffed behind his back. The cop’s partner, a woman, seemed to make a couple meek attempts to dissuade him from what was very clearly a tantrum. The man’s injuries did not appear serious, as the cop’s blows were largely ineffective. The beating apparently stopped when another squad car showed up.

Several videos of Black folk being beaten by police in New York City (Brooklyn) and New Jersey surfaced in April, ostensibly for not “social distancing”. The same weekend, a video surfaced of New York cops chatting and handing out facemasks to white folk enjoying a beautiful spring day in the park (in Manhattan), but also not social distancing.

Appliance delivery driver Travis Miller was blocked in an Oklahoma City gated community by two residents for almost two hours after making a delivery. The residents demanded to know what his business was there, in spite of the fact that the name of the company he delivers for is on the side of his truck, and he is wearing a uniform shirt with the company’s logo on it. He refused to give them his customer’s information. Miller filmed the entire encounter on his cell phone in case the nature of his interaction with the men was called into question. The men decided to call the police, at which point Miller called the police himself to report being detained, just to make sure the police were aware of his side of the story when they arrived on the scene. Eventually, the customer to whom Miller made the delivery arrived on the scene and asked his neighbors to stand down. He apologized to Miller, but missed the obvious subtext of the situation when he described his neighbors as “over protective” of the community. Travis Miller is a Black man.

Ahmaud Arbery was stalked and gunned down while out jogging on February 23rd, 2020 in Glynn County, Georgia. While he was on his run, he stopped by a house under construction, wandered around for a short bit, and left. He was spotted coming out of the house by Travis McMichael, who with his father Gregory McMichael and friend Roddie Bryan, pursued Arbery in their pickup trucks, boxing him into the Satilla Shores neighborhood. Travis McMichael then got out of the truck with a shotgun to confront Arbery. Arbery tried to grab the shotgun away from the younger McMichael, and two shots were fired. After regaining control of the gun, McMichael then fired a third shot, hitting Arbery in the torso. Arbery then took a few steps and fell to the ground, mortally wounded. All three shotgun blasts had hit his body. Police on the scene were reportedly ready to arrest the McMichaels, but were stopped by DA Jackie Johnson, who later recused herself from the case due to a previous work relationship with Gregory McMichael. Waycross Judicial District Attorney George Barnhill then took over the case, and also advised no arrests. The case was on Barnhill’s desk from February 27th to April 2nd, at which point he also recused himself due to a connection between himself and the elder McMichael. The Cobb County District Attorney’s office took over the case at that point. On May 5th, a video of the confrontation shot on Roddie Bryan’s cell phone appeared on radio station WGIG’s website. The video had been provided to the station by an attorney acting upon the wishes of Gregory McMichael, apparently believing the video would exonerate him and his son. After the public outrage generated by the video, the Georgia Bureau of Investigation arrested the McMichaels for felony murder and aggravated assault. On May 21st, Bryan was also arrested. Later evidence suggested that Travis McMichael shouted “fucking nigger” while standing over the body of Ahmaud Arbery, who was a Black man.

Sean Reed was gunned down by officers May 6 in Indianapolis, in a shooting that was captured by Reed on a Facebook livestream purportedly watched by thousands. Reed was observed by officers “driving erratically” on an interstate and began to follow him, at which point Reed went on Facebook Live and asked the viewers to “come get him”. A high-speed chase followed. After Reed stopped his car, he attempted to flee on foot, at which point the video on the livestream became indistinct. Reed was first tased, then the officers opened up and hit him with 13 shots. Reed was reportedly armed at the time; officers on the scene were heard laughing and remarking that Reed would have to have a closed casket funeral. Sean Reed was a Black man.

Austin, TX police responded to a 911 call reporting an armed man sitting in his car doing drugs. When confronted by officers, Mike Ramos exited his car with his hands above his head but refused to walk toward the officers, as instructed. At that point an officer fired a non-lethal beanbag round at him. Ramos got back into his car and proceeded to drive away, at which point an officer fired into the car, striking Ramos. Ramos was then transported to the hospital, where he died. Seventeen days after the shooting, the Austin PD held a news conference to announce that an investigation launched after the shooting found no weapon in or around Ramos’s car. Mike Ramos was a Black man.

San Leandro, CA police responded to a call about a man brandishing a baseball bat and trying to rob a Walmart. They arrived to find Steve Taylor in an agitated state, waving a bat around. The first officer made a token attempt to grab the bat, to no avail. He then attempted to tase Taylor, to no significant effect. The first officer then shot Taylor “in the upper torso”, while the second officer tased him again, at which point Taylor fell. Then officers then hooked him up and, noticing the extent of his injuries, called a Paramedic. Taylor died at the scene. Steve Taylor was a Black man.

George Floyd was murdered by police officers on Memorial Day, May 25th, 2020. Employees at the Cup Foods grocery store called police, stating that Floyd had passed a counterfeit $20 bill, and that he seemed intoxicated. Minneapolis police officers J. Alexander Kueng and Thomas Lane, both of whom were on their first week with Minneapolis PD (both being certified in August 2019), responded to the call, and managed to get Floyd cuffed without resistance. After briefly talking to him as he sat on the sidewalk, they told him he was under arrest and walked him over to the car. Floyd fell to the ground by the car, claiming that he was not attempting to resist, but that he felt claustrophobic. Kueng and Lane picked him up and placed him against the car door. At that point, officers Derek Chauvin and Tou Thao arrived on the scene. Kueng was struggling with Floyd in the back seat of the car when Chauvin reached in and pulled him out the other side, throwing the handcuffed Floyd face down in the street next to the car. At that point Chauvin kneeled on Floyd’s neck while Kueng applied pressure to Floyd’s torso and Lane pinned Floyd’s legs. Thao watched and kept the crowd at bay, several of whom were filming the arrest. Chauvin continued to grind his knee into Floyd’s neck for eight minutes and forty-six seconds. Floyd repeatedly asked for mercy, telling them he couldn’t breathe and asking for his mother. He was unresponsive and apparently unconscious for three of those almost nine minutes. Floyd was pronounced dead when the ambulance got him to the hospital. George Floyd was a Black man.


The programming looks the same on all the stations, but they are not reruns

it keeps happening again and again and again and again

Eric Garner
John Crawford III
Michael Brown
Ezell Ford
Michelle Cusseaux
Laquan McDonald
George Mann
Tanitia Anderson
Akai Gurley
Tamir Rice
Rumain Brisbon
Jerame Reid
Matthew Ajibade
Frank Smart
Natasha McKenna
Tony Robinson
Anthony Hill
Mya Hall
Philip White
Eric Harris
Walter Scott
William Chapman II
Alexia Christian
Brendon Glenn
Victor Manuel Larosa
Jonathan Sanders
Freddie Gray
Joseph Mann
Salvado Ellswood
Sandra Bland
Albert Joseph Davis
Darrius Stewart
Billie Ray Davis
Samuel Dubose
Michael Sabbie
Brian Keith Day
Christian Taylor
Troy Robinson
Asshams Pharoah Manley
Felix Kumi
Keith Harrison McLeod
Junior Prosper
Lamontez Jones
Paterson Brown
Dominic Hutchinson
Anthony Ashford
Alonzo Smith
Tyree Crawford
India Kager
La’Vante Biggs
Michael Lee Marshall
Jamar Clark
Richard Perkins
Nathaniel Harris Pickett
Benni Lee Tignor
Miguel Espinal
Michael Noel
Kevin Matthews
Bettie Jones
Quintonio Legrier
Keith Childress Jr.
Janet Wilson
Randy Nelson
Antronie Scott
Wendell Celestine
David Joseph
Calin Roquemore
Dyzhawn Perkins
Christopher Davis
Marco Loud
Peter Gaines
Torrey Robinson
Darius Robinson
Kevin Hicks
Mary Truxillo
Demarcus Semer
Willie Tillman
Terrill Thomas
Sylville Smith
Alton Sterling
Philando Castile
Terence Crutcher
Paul O’Neal
Alteria Woods
Jordan Edwards
Aaron Bailey
Ronell Foster
Stephon Clark
Antwon Rose II
Botham Jean
Pamela Turner
Dominique Clayton
Atatiana Jefferson
Christopher Whitfield
Christopher McCorvey
Eric Reason
Michael Lorenzo Dean

on and on and on


Wednesday, May 27, 2020

RONA Fragment #4

time, day, what is that?

lie across the bed at odd angles
in various states of undress
& listen to noise on shuffle

sun sketches the house next door
in glaring relief, so it’s day
early-ish day
a little later clouds will show up
to wash time
off the neighbor’s siding

random meandering walks divide
the infinitely divisible into chunks
of indeterminate timelessness

pomegranate, tequila, and simple syrup
spell an endless parade of bourbon & sodas
in the kitchen washing a stray plate

a moment sudden and crystallized
I become inexplicably emotional
& cry during a Bob Dylan song
I’ve heard passively for 40 years

the rage I have lived with since the age 16
feels now diffuse and unearned
even if circumstances suggest the opposite

            flit moment to moment
            of incredible & subjective vision
            is this the world now?
            is it even different
            in any qualitative way?

Monday, May 25, 2020

RONA Fragment #3: Recasting an Elliot Prelude


Recasting an Elliot Prelude

emerging, swimming up to dark

shake
shake
shake
nothing’s moving
then move
and everything hurts

slowly merge w/body
tentatively roll shoulder, it hurts
then moves
other shoulder same,
though less so
first one leg, then the oth—
oh, right
as sparks shoot
& lightning tears up the thigh

reach for the dim lamp

quarter to three
close enough for the next Percocet
swallow, chase with tepid water
from the coffee mug bedside

toss sheets
& roll back

staring, soul projects itself
onto the ceiling
be those shadows
or the face of a cop
where am I
that the room surrounds me
& what is this movie, this vision

ghostly string quartets
- is the Bluetooth still on? –
abstract frescos
paint themselves around the ceiling fan
dirt browns & steely blue grays
whiffs of fascism & de-evolution
things are getting worse

as shadows pirouette

as my body shrinks back
slowly settling into a dark haze
sparks & lightning in my body fade

film rolls on
I lay back
warm but uneasy
not conscious, not asleep
in gently shifting brown/black stasis
until the sun sketches
the white siding of the house next door
through the louvres of the window

as the line of illumination
renders the top of the triangle stark white
& moves slowly down
slotting the siding as it goes
the awareness comes that,
as the line clears the attic room window
four hours have passed
& my throbbing leg confirms
time for another dose

sit on the edge of the bed
staring at the wall on the other side
of the window
grab the walker
take a piss
move around the house
repossess the body
take another dose
settle back

the movie's over now
the disquiet lives on


Saturday, May 23, 2020

RONA Fragment #2: Darkness & the Percocet In-Between


Darkness & the Percocet In-Between

a small sheet of plain white rectangular card stock
imperceptibly split edge reveals flat
faceted garnet, cut in the form of a lozenge
giving the appearance of the ace of spades

                        INCANTATION
            the apparatus proposed is the distinctive
            trademark of Enlightenment thought

            Empiricist & Idealist currents, Transcendentalism
            event inspired a cycle of struggles

            desires and needs cannot be translated
            into different contexts – so it happens potential

            revolutionaries around the world cannot
            invest in actions around the world
            Beijing
            Nablus
            Los Angeles
            Chiapas
            Paris
            Seoul

To clarify this relation it must be understood
that the class struggle is over the way
the capitalist class imposes the commodity form
on the bulk of the population by forcing people
to sell part of their lives as the commodity
“labor power” in order to survive –

            after choosing various points
            by examining the red strokes
            he held the engraving point vertically
            in his right hand and made
 seven superficial marks
linked together as a globally expanding chain
institutional, political, and scientific rhetorics
became absolute on this terrain
and every conceptual formation
came to be marked by it

it is not either/or
difference
hybridity
mobility
are not liberation, not in and of themselves
and neither are
truth
purity
stasis
real revolutionary practice
refers to the level of production
truth will not set us free
but taking control of the production of truth will

            diametrically across the earth
            always remaining visible amid vague
            geographical indications, descending
            a long way without deviating and
            ended, at a treble stave showing
            high C accompanied by three “f”s
            in the center a cluster of stars
            where the word “Nadir” is written

these struggles often fail to communicate context
lack even local communication
and burn out in a flash
the exclusive horizon of ideology
a hugely distended mouth
a vertical line of dots
a flash point
the formalization of politics
the instrumentalization of science and technique
for profit
the pacification of revolt


source texts: Hardt & Negri, Raymond Roussel, Harry Cleaver